Winter Collection 2025
We have put together a collection of beautiful paintings, works on paper, photography, sculpture and ceramics from across our portfolio of brilliant artists, all priced up to £600. Enjoy browsing this selection of wonderful works (and follow the links to see more works by these artists).
2022
Oil on Arches huile paper
Framed 28.5 x 23.5 x 3.2 cm
Float mounted in a lime waxed box frame with UV glass
View all works by Catherine Knight →
2022
Oil on Arches huile paper
Framed 28.5 x 23.5 x 3.2 cm
Float mounted in a lime waxed box frame with UV glass
2023
Graphite on gessoed found paper
11 x 16 cm | framed: 18 x 23 cm (white painted wood box frame)
Artist Statement
“My drawings depict unpopulated spaces which are infused with a melancholic sense of loss and absence. Following the tradition of Irish artists in exile revisiting their motherland through their art, images connect to the fractured landscapes of my youth during the most turbulent years of the ‘Troubles’ in Northern Ireland in terms of personal and historical memory. A limited colour palette and the tonal possibilities of graphite create a haunting, psychological darkness which plays with a dichotomy of beauty and menace. A sense of tension is continued through the intimacy of scale and a confrontational, single point perspective where the audience is drawn into my world to look and wonder, but ultimately held at a distance from participating in the scene. In a wider context this undercurrent of uneasiness and possible threat evokes the ‘eerie’ and connects to a contemporary ‘Art of the Landscape’ where a disrupted pastoral view of nature is presented to suggest anxiety, crisis and alienation.
Ideas around memory, identity, and the ambiguous nature of home and belonging inform my current series of drawings on found paper. Featuring images of where I grew up in Belfast, these works evoke a partial return to a homeland where a legacy of violence still lingers. Existing fragments of text and maps from pages of archival materials fuse my own personal mythology with other histories and narratives to present unexpected commentaries and reveal subtexts. The resulting unquiet landscapes suggest uncertainty and an ongoing negotiation with the past.”
2023
Graphite on gessoed found paper
22 x 27 cm | framed: 28 x 33 cm (charcoal veneer wood box frame)
Artist Statement
“My drawings depict unpopulated spaces which are infused with a melancholic sense of loss and absence. Following the tradition of Irish artists in exile revisiting their motherland through their art, images connect to the fractured landscapes of my youth during the most turbulent years of the ‘Troubles’ in Northern Ireland in terms of personal and historical memory. A limited colour palette and the tonal possibilities of graphite create a haunting, psychological darkness which plays with a dichotomy of beauty and menace. A sense of tension is continued through the intimacy of scale and a confrontational, single point perspective where the audience is drawn into my world to look and wonder, but ultimately held at a distance from participating in the scene. In a wider context this undercurrent of uneasiness and possible threat evokes the ‘eerie’ and connects to a contemporary ‘Art of the Landscape’ where a disrupted pastoral view of nature is presented to suggest anxiety, crisis and alienation.
Ideas around memory, identity, and the ambiguous nature of home and belonging inform my current series of drawings on found paper. Featuring images of where I grew up in Belfast, these works evoke a partial return to a homeland where a legacy of violence still lingers. Existing fragments of text and maps from pages of archival materials fuse my own personal mythology with other histories and narratives to present unexpected commentaries and reveal subtexts. The resulting unquiet landscapes suggest uncertainty and an ongoing negotiation with the past.”
2023
Graphite on gessoed found paper
18.5 x 24.5 cm | framed: 27.5 x 32.5 cm (charcoal veneer wood box frame)
Artist Statement
“My drawings depict unpopulated spaces which are infused with a melancholic sense of loss and absence. Following the tradition of Irish artists in exile revisiting their motherland through their art, images connect to the fractured landscapes of my youth during the most turbulent years of the ‘Troubles’ in Northern Ireland in terms of personal and historical memory. A limited colour palette and the tonal possibilities of graphite create a haunting, psychological darkness which plays with a dichotomy of beauty and menace. A sense of tension is continued through the intimacy of scale and a confrontational, single point perspective where the audience is drawn into my world to look and wonder, but ultimately held at a distance from participating in the scene. In a wider context this undercurrent of uneasiness and possible threat evokes the ‘eerie’ and connects to a contemporary ‘Art of the Landscape’ where a disrupted pastoral view of nature is presented to suggest anxiety, crisis and alienation.
Ideas around memory, identity, and the ambiguous nature of home and belonging inform my current series of drawings on found paper. Featuring images of where I grew up in Belfast, these works evoke a partial return to a homeland where a legacy of violence still lingers. Existing fragments of text and maps from pages of archival materials fuse my own personal mythology with other histories and narratives to present unexpected commentaries and reveal subtexts. The resulting unquiet landscapes suggest uncertainty and an ongoing negotiation with the past.”
2024
Graphite and chalk pastel on paper
42 x 29 cm | framed: 53 x 42 cm (black painted wood frame)
Artist Statement
“My drawings depict unpopulated spaces which are infused with a melancholic sense of loss and absence. Following the tradition of Irish artists in exile revisiting their motherland through their art, images connect to the fractured landscapes of my youth during the most turbulent years of the ‘Troubles’ in Northern Ireland in terms of personal and historical memory. A limited colour palette and the tonal possibilities of graphite create a haunting, psychological darkness which plays with a dichotomy of beauty and menace. A sense of tension is continued through the intimacy of scale and a confrontational, single point perspective where the audience is drawn into my world to look and wonder, but ultimately held at a distance from participating in the scene. In a wider context this undercurrent of uneasiness and possible threat evokes the ‘eerie’ and connects to a contemporary ‘Art of the Landscape’ where a disrupted pastoral view of nature is presented to suggest anxiety, crisis and alienation.
Ideas around memory, identity, and the ambiguous nature of home and belonging inform my current series of drawings on found paper. Featuring images of where I grew up in Belfast, these works evoke a partial return to a homeland where a legacy of violence still lingers. Existing fragments of text and maps from pages of archival materials fuse my own personal mythology with other histories and narratives to present unexpected commentaries and reveal subtexts. The resulting unquiet landscapes suggest uncertainty and an ongoing negotiation with the past.”
2023
Oil on panel
30 × 22 cm; framed dimensions 33 × 25 cm
2025
Oil on panel
21 × 16 cm
Unframed
Framing can be arranged - please contact us for more information.
2024
Oil on panel
19 × 25 cm
Unframed
Framing can be arranged - please contact us for more information.
2025
Oil on panel
19.5 × 15.5 cm
Unframed
Framing can be arranged - please contact us for more information.
Watercolour on paper
31 × 23 cm
Unframed
Shipping costs will be calculated based on your location. The work will be shipped from the artist’s studio in Scotland. If you are interested in purchasing this work, please contact the gallery.
All enquiries to vanessa@irvinggallery.com
Watercolour on paper
21 × 30 cm
Unframed
Shipping costs will be calculated based on your location. The work will be shipped from the artist’s studio in Scotland. If you are interested in purchasing this work, please contact the gallery.
All enquiries to vanessa@irvinggallery.com
2024
Oil, acrylic and watercolour wraparound calico collage on prepared heavyweight cotton canvas
20 x 20 x 3 cm
2024
Oil, acrylic and watercolour wraparound calico collage on prepared heavyweight cotton canvas
20 x 20 x 3 cm
2023
Oil and enamel on wood
18 x 22 cm
for 'Thin Skins' | Paintings by Dominique Garraud & Claire Shakespeare (14th September - 18th October 2024)
2024
Oil and acrylic on board
17.8 x 12.7 cm | 7 × 5 inches
2024
Oil and acrylic on board
17.8 x 12.7 cm | 7 × 5 inches
2025
Oil on Arches paper
19 x 14 cm; 27.5 x 32.5 x 3 cm framed
2025
Oil on panel
18 x 14 cm; 27.5 x 32.5 x 3 cm framed
2025
Oil paint, oil pastel, graphite, ink, sgraffito on canvas
21 x 26 cm
RESERVED
2024
Graphite and ink drawing
28.5 × 20 cm; 39 × 30.7 × 3.2 cm framed
2024
Graphite and ink
15.5 × 17.5 cm; 26.1 × 27.7. x 3.2 cm framed
Photographic pigment print on Canson Platine paper
25 × 35 cm; framed 27 × 37 cm
Edition 1/9
Tray Frame in black oak (by RO Frames)
Photographic pigment print on Canson Platine paper
25 × 35 cm; framed 27 × 37 cm
Edition 1/9
Tray Frame in white oak (by RO Frames)
Photographic pigment print on Somerset matt paper
20 × 25 cm; framed 23 × 28 cm
Edition 1/9
Tray Frame in lime wood
Photographic pigment print on Somerset matt paper
20 × 25 cm, framed 23 × 28 cm
Edition 1/9
Tray Frame in lime wood
All that I have met
2022
Oil and acrylic on paper
22.9 x 30.5 cm (paper size)
£320
Standing on Rubies Again
2022
Oil and acrylic on paper
30.5 x 40.6 cm (paper size)
2025
Oil on acrylic on panel
13 × 18 cm; 15 × 20 cm framed in oak
2025
Oil on acrylic on panel
13 × 18 cm; 15 × 20 cm framed in oak
2024
Acrylic, house paint and wax pastel on gessoed card
39 x 34 x 4.5 cm
White stained tulip wood box frame, museum glass
2024
44 × 28 × 3 cm
Hand-cut recycled textiles pulp and steel
Please note that shipping costs will be calculated and charged separately, based on your location.
Set of four ceramic houses
Hand sculpted in black clay and earthenware fired. Each piece is individually made. This set is approximately 8 cm high.
£345
Set of four ceramic houses
Hand sculpted in black clay and earthenware fired. Each piece is individually made. This set is approximately 9 cm high.
£450
Set of four ceramic houses
Hand sculpted in black clay and earthenware fired. Each piece is individually made. This set is approximately 9 cm high.
£495
Set of four ceramic houses
Hand sculpted in black clay and earthenware fired. Each piece is individually made. This set is approximately 9 cm high.
£495

