Winter Collection 2025

We have put together a collection of beautiful paintings, works on paper, photography, sculpture and ceramics from across our portfolio of brilliant artists, all priced up to £600. Enjoy browsing this selection of wonderful works (and follow the links to see more works by these artists).

Ange Mullen-Bryan, ‘Settle’ Ange Mullen-Bryan, ‘Settle’
SOLD
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Ange Mullen-Bryan, ‘Settle’
£250.00

2022
Oil on linen
25 x 25 cm
£250

View all works by Ange Mullen-Bryan →

Ange Mullen-Bryan, ‘When darkness lurks’ Ange Mullen-Bryan, ‘When darkness lurks’
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Ange Mullen-Bryan, ‘When darkness lurks’
£450.00

2024
Oil on linen
28 x 35 cm

Ange Mullen-Bryan, ‘Mangata’ Ange Mullen-Bryan, ‘Mangata’
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Ange Mullen-Bryan, ‘Mangata’
£450.00

2025
Oil on linen
28 x 35 cm

Catherine Knight, '18:07, 17th November 2021, Nr Lienz, Austria' Catherine Knight, '18:07, 17th November 2021, Nr Lienz, Austria'
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Catherine Knight, '18:07, 17th November 2021, Nr Lienz, Austria'
£585.00

2022
Oil on Arches huile paper
Framed 28.5 x 23.5 x 3.2 cm
Float mounted in a lime waxed box frame with UV glass

View all works by Catherine Knight →

Catherine Knight, '18:22, 16th February 2022, Beijing, China' Catherine Knight, '18:22, 16th February 2022, Beijing, China'
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Catherine Knight, '18:22, 16th February 2022, Beijing, China'
£585.00

2022
Oil on Arches huile paper
Framed 28.5 x 23.5 x 3.2 cm
Float mounted in a lime waxed box frame with UV glass

Catherine Knight, 'Moon over the Fjord' Catherine Knight, 'Moon over the Fjord'
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Catherine Knight, 'Moon over the Fjord'
£450.00

2022
Oil on board
24 x 18 cm

Catherine Knight, 'From the train' Catherine Knight, 'From the train'
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Catherine Knight, 'From the train'
£395.00

2022
Oil on board
20 x 15 cm

Heather McAteer, 'Strange Energy (Study)' Heather McAteer, 'Strange Energy (Study)'
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Heather McAteer, 'Strange Energy (Study)'
£220.00

2023
Graphite on gessoed found paper

11 x 16 cm | framed: 18 x 23 cm (white painted wood box frame)

Artist Statement
“My drawings depict unpopulated spaces which are infused with a melancholic sense of loss and absence. Following the tradition of Irish artists in exile revisiting their motherland through their art, images connect to the fractured landscapes of my youth during the most turbulent years of the ‘Troubles’ in Northern Ireland in terms of personal and historical memory. A limited colour palette and the tonal possibilities of graphite create a haunting, psychological darkness which plays with a dichotomy of beauty and menace. A sense of tension is continued through the intimacy of scale and a confrontational, single point perspective where the audience is drawn into my world to look and wonder, but ultimately held at a distance from participating in the scene. In a wider context this undercurrent of uneasiness and possible threat evokes the ‘eerie’ and connects to a contemporary ‘Art of the Landscape’ where a disrupted pastoral view of nature is presented to suggest anxiety, crisis and alienation.

Ideas around memory, identity, and the ambiguous nature of home and belonging inform my current series of drawings on found paper. Featuring images of where I grew up in Belfast, these works evoke a partial return to a homeland where a legacy of violence still lingers. Existing fragments of text and maps from pages of archival materials fuse my own personal mythology with other histories and narratives to present unexpected commentaries and reveal subtexts. The resulting unquiet landscapes suggest uncertainty and an ongoing negotiation with the past.”

Heather McAteer, 'There is Another World, There is a Better World' Heather McAteer, 'There is Another World, There is a Better World'
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Heather McAteer, 'There is Another World, There is a Better World'
£490.00

2023
Graphite on gessoed found paper

22 x 27 cm | framed: 28 x 33 cm (charcoal veneer wood box frame)

Artist Statement
“My drawings depict unpopulated spaces which are infused with a melancholic sense of loss and absence. Following the tradition of Irish artists in exile revisiting their motherland through their art, images connect to the fractured landscapes of my youth during the most turbulent years of the ‘Troubles’ in Northern Ireland in terms of personal and historical memory. A limited colour palette and the tonal possibilities of graphite create a haunting, psychological darkness which plays with a dichotomy of beauty and menace. A sense of tension is continued through the intimacy of scale and a confrontational, single point perspective where the audience is drawn into my world to look and wonder, but ultimately held at a distance from participating in the scene. In a wider context this undercurrent of uneasiness and possible threat evokes the ‘eerie’ and connects to a contemporary ‘Art of the Landscape’ where a disrupted pastoral view of nature is presented to suggest anxiety, crisis and alienation.

Ideas around memory, identity, and the ambiguous nature of home and belonging inform my current series of drawings on found paper. Featuring images of where I grew up in Belfast, these works evoke a partial return to a homeland where a legacy of violence still lingers. Existing fragments of text and maps from pages of archival materials fuse my own personal mythology with other histories and narratives to present unexpected commentaries and reveal subtexts. The resulting unquiet landscapes suggest uncertainty and an ongoing negotiation with the past.”

Heather McAteer, 'Journey to Black Mountain' Heather McAteer, 'Journey to Black Mountain'
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Heather McAteer, 'Journey to Black Mountain'
£410.00

2023
Graphite on gessoed found paper

18.5 x 24.5 cm | framed: 27.5 x 32.5 cm (charcoal veneer wood box frame)

Artist Statement
“My drawings depict unpopulated spaces which are infused with a melancholic sense of loss and absence. Following the tradition of Irish artists in exile revisiting their motherland through their art, images connect to the fractured landscapes of my youth during the most turbulent years of the ‘Troubles’ in Northern Ireland in terms of personal and historical memory. A limited colour palette and the tonal possibilities of graphite create a haunting, psychological darkness which plays with a dichotomy of beauty and menace. A sense of tension is continued through the intimacy of scale and a confrontational, single point perspective where the audience is drawn into my world to look and wonder, but ultimately held at a distance from participating in the scene. In a wider context this undercurrent of uneasiness and possible threat evokes the ‘eerie’ and connects to a contemporary ‘Art of the Landscape’ where a disrupted pastoral view of nature is presented to suggest anxiety, crisis and alienation.

Ideas around memory, identity, and the ambiguous nature of home and belonging inform my current series of drawings on found paper. Featuring images of where I grew up in Belfast, these works evoke a partial return to a homeland where a legacy of violence still lingers. Existing fragments of text and maps from pages of archival materials fuse my own personal mythology with other histories and narratives to present unexpected commentaries and reveal subtexts. The resulting unquiet landscapes suggest uncertainty and an ongoing negotiation with the past.”

Heather McAteer, 'Run From the Past into the Past' Heather McAteer, 'Run From the Past into the Past'
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Heather McAteer, 'Run From the Past into the Past'
£590.00

2024
Graphite and chalk pastel on paper

42 x 29 cm | framed: 53 x 42 cm (black painted wood frame)

Artist Statement
“My drawings depict unpopulated spaces which are infused with a melancholic sense of loss and absence. Following the tradition of Irish artists in exile revisiting their motherland through their art, images connect to the fractured landscapes of my youth during the most turbulent years of the ‘Troubles’ in Northern Ireland in terms of personal and historical memory. A limited colour palette and the tonal possibilities of graphite create a haunting, psychological darkness which plays with a dichotomy of beauty and menace. A sense of tension is continued through the intimacy of scale and a confrontational, single point perspective where the audience is drawn into my world to look and wonder, but ultimately held at a distance from participating in the scene. In a wider context this undercurrent of uneasiness and possible threat evokes the ‘eerie’ and connects to a contemporary ‘Art of the Landscape’ where a disrupted pastoral view of nature is presented to suggest anxiety, crisis and alienation.

Ideas around memory, identity, and the ambiguous nature of home and belonging inform my current series of drawings on found paper. Featuring images of where I grew up in Belfast, these works evoke a partial return to a homeland where a legacy of violence still lingers. Existing fragments of text and maps from pages of archival materials fuse my own personal mythology with other histories and narratives to present unexpected commentaries and reveal subtexts. The resulting unquiet landscapes suggest uncertainty and an ongoing negotiation with the past.”

Charlotte Brisland, 'Pale blue light' Charlotte Brisland, 'Pale blue light'
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Charlotte Brisland, 'Pale blue light'
£500.00

2025
Oil on canvas
25 × 20 cm

Charlotte Brisland, 'Pink twilight' Charlotte Brisland, 'Pink twilight'
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Charlotte Brisland, 'Pink twilight'
£500.00

2025
Oil on canvas
25 × 20 cm

Charlotte Brisland, 'Bleached lemon yellow' Charlotte Brisland, 'Bleached lemon yellow'
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Charlotte Brisland, 'Bleached lemon yellow'
£400.00

2025
Oil on canvas
15 × 15 cm

Charlotte Brisland, 'Silver lilac' Charlotte Brisland, 'Silver lilac'
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Charlotte Brisland, 'Silver lilac'
£500.00

2025
Oil on canvas
20 × 20 cm

Kate McAllan, 'Where No One Knows You' Kate McAllan, 'Where No One Knows You'
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Kate McAllan, 'Where No One Knows You'
£550.00

2023
Oil on panel
30 × 22 cm; framed dimensions 33 × 25 cm

Kate McAllan, 'The poet and the aquarium'
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Kate McAllan, 'The poet and the aquarium'
£450.00

2025
Oil on panel
21 × 16 cm
Unframed

Framing can be arranged - please contact us for more information.

Kate McAllan, 'Summer days are gone'
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Kate McAllan, 'Summer days are gone'
£550.00

2024
Oil on panel
19 × 25 cm
Unframed

Framing can be arranged - please contact us for more information.

Kate McAllan, 'Trees cut stars and eyes to heaven'
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Kate McAllan, 'Trees cut stars and eyes to heaven'
£450.00

2025
Oil on panel
19.5 × 15.5 cm
Unframed

Framing can be arranged - please contact us for more information.

Robbie Bushe, 'Multi Stories (Study 4)' Robbie Bushe, 'Multi Stories (Study 4)'
SOLD
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Robbie Bushe, 'Multi Stories (Study 4)'
£490.00

Watercolour on paper
31 × 23 cm
Unframed

Shipping costs will be calculated based on your location. The work will be shipped from the artist’s studio in Scotland. If you are interested in purchasing this work, please contact the gallery.

All enquiries to vanessa@irvinggallery.com

Robbie Bushe, 'The Two Towers' Robbie Bushe, 'The Two Towers'
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Robbie Bushe, 'The Two Towers'
£430.00

Watercolour on paper
21 × 30 cm
Unframed

Shipping costs will be calculated based on your location. The work will be shipped from the artist’s studio in Scotland. If you are interested in purchasing this work, please contact the gallery.

All enquiries to vanessa@irvinggallery.com

Jo Berry, 'The Machine (2)' Jo Berry, 'The Machine (2)'
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Jo Berry, 'The Machine (2)'
£595.00

2024
Acrylic on wooden board
20 × 30 cm

Jo Berry, 'The Machine (3)' Jo Berry, 'The Machine (3)'
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Jo Berry, 'The Machine (3)'
£595.00

2024
Acrylic on wooden board
20 × 30 cm

Sarah Bold, ‘Big Little Scotland 4’ Sarah Bold, ‘Big Little Scotland 4’
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Sarah Bold, ‘Big Little Scotland 4’
£580.00

2023
Oil on panel
20 x 15 cm

Sarah Bold, 'Big Little Scotland 10' Sarah Bold, 'Big Little Scotland 10'
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Sarah Bold, 'Big Little Scotland 10'
£580.00

Oil on panel
15 x 20 cm

Sarah Bold, 'Big Little Scotland 33' Sarah Bold, 'Big Little Scotland 33'
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Sarah Bold, 'Big Little Scotland 33'
£580.00

Oil on panel
15 x 20 cm

Sarah Bold, ‘The Fall (2)’ Sarah Bold, ‘The Fall (2)’
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Sarah Bold, ‘The Fall (2)’
£580.00

2023
Oil on panel
20 x 15 cm

Dominique Garraud, ‘Mother Lawn’ Dominique Garraud, ‘Mother Lawn’
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Dominique Garraud, ‘Mother Lawn’
£435.00

2024
Oil, acrylic and watercolour wraparound calico collage on prepared heavyweight cotton canvas
20 x 20 x 3 cm

Dominique Garraud, ‘Perfumed Hum' Dominique Garraud, ‘Perfumed Hum'
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Dominique Garraud, ‘Perfumed Hum'
£435.00

2024
Oil, acrylic and watercolour wraparound calico collage on prepared heavyweight cotton canvas
20 x 20 x 3 cm

Claire Shakespeare, ‘Rough Tongue, Green Lip’ Claire Shakespeare, ‘Rough Tongue, Green Lip’
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Claire Shakespeare, ‘Rough Tongue, Green Lip’
£390.00

2023
Oil and enamel on wood
18 x 22 cm

for 'Thin Skins' | Paintings by Dominique Garraud & Claire Shakespeare (14th September - 18th October 2024)

Claire Shakespeare, Untitled Claire Shakespeare, Untitled
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Claire Shakespeare, Untitled
£390.00

2023
Oil, acrylic, pigment and paper on board
22 x 17 cm

Claire Shakespeare, Untitled Claire Shakespeare, Untitled
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Claire Shakespeare, Untitled
£500.00

2023
Oil, acrylic and paper on board
31.5 x 23 cm

Claire Shakespeare, ‘N’ Claire Shakespeare, ‘N’
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Claire Shakespeare, ‘N’
£480.00

2023
Oil, enamel and wool on canvas
30 x 38 cm

Lucia Jones, ‘Give ‘Em The Ol’ Razzle Dazzle’ Lucia Jones, ‘Give ‘Em The Ol’ Razzle Dazzle’
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Lucia Jones, ‘Give ‘Em The Ol’ Razzle Dazzle’
£500.00

2024
Oil and acrylic on board
17.8 x 12.7 cm | 7 × 5 inches

Lucia Jones, 'Nothing To See Here' Lucia Jones, 'Nothing To See Here'
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Lucia Jones, 'Nothing To See Here'
£500.00

2024
Oil and acrylic on board
17.8 x 12.7 cm | 7 × 5 inches

Tamara Dubnyckyj, 'Tumbling pleats' Tamara Dubnyckyj, 'Tumbling pleats'
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Tamara Dubnyckyj, 'Tumbling pleats'
£595.00

2023
oil on cradled gesso panel
25 × 20 cm

Tamara Dubnyckyj,  'Under the skirts Tamara Dubnyckyj,  'Under the skirts
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Tamara Dubnyckyj, 'Under the skirts
£595.00

2023
oil on cradled gesso panel
20 × 25 cm

Helen Kincaid, 'Shade (Study II)' Helen Kincaid, 'Shade (Study II)'
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Helen Kincaid, 'Shade (Study II)'
£500.00

2024
Oil on cradled gesso board
18 x 13 cm

Helen Kincaid, 'Shade (Study I)' Helen Kincaid, 'Shade (Study I)'
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Helen Kincaid, 'Shade (Study I)'
£500.00

2024
Oil on cradled gesso board
18 x 13 cm

Stuart Low, 'January Snow at Waldegrave Pool' Stuart Low, 'January Snow at Waldegrave Pool'
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Stuart Low, 'January Snow at Waldegrave Pool'
£450.00

2025
Oil on Arches paper
19 x 14 cm; 27.5 x 32.5 x 3 cm framed

Stuart Low, 'Pool near Stockhill Forest' Stuart Low, 'Pool near Stockhill Forest'
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Stuart Low, 'Pool near Stockhill Forest'
£450.00

2025
Oil on panel
18 x 14 cm; 27.5 x 32.5 x 3 cm framed

Stuart Low, 'To the West' Stuart Low, 'To the West'
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Stuart Low, 'To the West'
£450.00

2025
Oil on Arches paper
19 x 14 cm; 27.5 x 32.5 x 3 cm framed

Lloyd Durling, 'Silent Gaze' Lloyd Durling, 'Silent Gaze'
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Lloyd Durling, 'Silent Gaze'
£550.00

2025
Oil paint, oil pastel, graphite, ink, sgraffito on canvas
21 x 26 cm

RESERVED

Rachael Causer, 'Thatch 4' Rachael Causer, 'Thatch 4'
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Rachael Causer, 'Thatch 4'
£450.00

2025
Pastel drawing
20 × 27.5 cm; 31.2 × 38.2 × 3.2 cm framed

Rachael Causer, 'Small Thrill 1' Rachael Causer, 'Small Thrill 1'
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Rachael Causer, 'Small Thrill 1'
£550.00

2025
Plaster, sandpaper
26 × 5 × 7 cm

Rachael Causer, 'Thatch 3' Rachael Causer, 'Thatch 3'
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Rachael Causer, 'Thatch 3'
£450.00

2024
Graphite and ink drawing
28.5 × 20 cm; 39 × 30.7 × 3.2 cm framed

Rachael Causer, 'Thatch 12' Rachael Causer, 'Thatch 12'
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Rachael Causer, 'Thatch 12'
£420.00

2024
Graphite and ink
15.5 × 17.5 cm; 26.1 × 27.7. x 3.2 cm framed

Amanda Harman, 'Dark Rhyne' Amanda Harman, 'Dark Rhyne'
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Amanda Harman, 'Dark Rhyne'
£460.00

Photographic pigment print on Canson Platine paper
25 × 35 cm; framed 27 × 37 cm
Edition 1/9
Tray Frame in black oak (by RO Frames)

Amanda Harman, 'Smooth Newt' Amanda Harman, 'Smooth Newt'
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Amanda Harman, 'Smooth Newt'
£460.00

Photographic pigment print on Canson Platine paper
25 × 35 cm; framed 27 × 37 cm
Edition 1/9
Tray Frame in white oak (by RO Frames)

Amanda Harman, 'Clematis Vitalba' Amanda Harman, 'Clematis Vitalba'
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Amanda Harman, 'Clematis Vitalba'
£360.00

Photographic pigment print on Somerset matt paper
20 × 25 cm; framed 23 × 28 cm
Edition 1/9
Tray Frame in lime wood

Amanda Harman, 'Meadow Salsify' Amanda Harman, 'Meadow Salsify'
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Amanda Harman, 'Meadow Salsify'
£360.00

Photographic pigment print on Somerset matt paper
20 × 25 cm, framed 23 × 28 cm
Edition 1/9
Tray Frame in lime wood

Louisa Longstaff-Scales, 'All that I have met'
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Louisa Longstaff-Scales, 'All that I have met'
£320.00

All that I have met
2022
Oil and acrylic on paper
22.9 x 30.5 cm (paper size)
£320

Louisa Longstaff-Scales, 'Standing on Rubies Again'
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Louisa Longstaff-Scales, 'Standing on Rubies Again'
£420.00

Standing on Rubies Again
2022
Oil and acrylic on paper
30.5 x 40.6 cm (paper size)

Louisa Longstaff-Scales, ‘Crossing Fields, Crossing Oceans' Louisa Longstaff-Scales, ‘Crossing Fields, Crossing Oceans'
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Louisa Longstaff-Scales, ‘Crossing Fields, Crossing Oceans'
£420.00

2025
Oil on acrylic on panel
13 × 18 cm; 15 × 20 cm framed in oak

Louisa Longstaff-Scales, ‘The Morning Hour (Before the Dream was Lost)' Louisa Longstaff-Scales, ‘The Morning Hour (Before the Dream was Lost)'
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Louisa Longstaff-Scales, ‘The Morning Hour (Before the Dream was Lost)'
£420.00

2025
Oil on acrylic on panel
13 × 18 cm; 15 × 20 cm framed in oak

Ange Mullen-Bryan, ‘Into the blue’ Ange Mullen-Bryan, ‘Into the blue’
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Ange Mullen-Bryan, ‘Into the blue’
£450.00

2022
Oil on linen
36 x 28 cm

Ange Mullen-Bryan, 'Small Island' Ange Mullen-Bryan, 'Small Island'
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Ange Mullen-Bryan, 'Small Island'
£450.00

2023
Oil on linen
28 x 35 cm
£450

Ange Mullen-Bryan, 'Lone Pine on the Beach' Ange Mullen-Bryan, 'Lone Pine on the Beach'
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Ange Mullen-Bryan, 'Lone Pine on the Beach'
£200.00

2023
Oil on linen
25 x 21 cm
£200

Kate Shooter, Cowgirl
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Kate Shooter, Cowgirl
£500.00

2022
Charcoal on 300 gsm watercolour paper
34.5 x 27 cm framed

Kate Shooter, Bulbous Kate Shooter, Bulbous
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Kate Shooter, Bulbous
£500.00

2022
Charcoal on 300 gsm watercolour paper
34.5 x 27 cm framed

Kate Shooter, Smiler Kate Shooter, Smiler
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Kate Shooter, Smiler
£500.00

2022
Charcoal on 300 gsm watercolour paper
34.5 x 27 cm framed

Kate Shooter, Talker Kate Shooter, Talker
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Kate Shooter, Talker
£500.00

2022
Charcoal on 300 gsm watercolour paper
34.5 x 27 cm framed

Kate Shooter, ‘Bed 1 (My Sadness Is Cosmic)' Kate Shooter, ‘Bed 1 (My Sadness Is Cosmic)'
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Kate Shooter, ‘Bed 1 (My Sadness Is Cosmic)'
£500.00

2024
Acrylic, house paint and wax pastel on gessoed card
39 x 34 x 4.5 cm
White stained tulip wood box frame, museum glass

Laura Porter, 'Weave I (study)' Laura Porter, 'Weave I (study)'
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Laura Porter, 'Weave I (study)'
£545.00

2024
44 × 28 × 3 cm
Hand-cut recycled textiles pulp and steel

Please note that shipping costs will be calculated and charged separately, based on your location.

Rowena Brown, Set of Four Ceramic Houses (no. 560) Rowena Brown, Set of Four Ceramic Houses (no. 560)
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Rowena Brown, Set of Four Ceramic Houses (no. 560)
£345.00

Set of four ceramic houses

Hand sculpted in black clay and earthenware fired. Each piece is individually made. This set is approximately 8 cm high.

£345

Rowena Brown, Set of Four Ceramic Houses (no. 565) Rowena Brown, Set of Four Ceramic Houses (no. 565)
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Rowena Brown, Set of Four Ceramic Houses (no. 565)
£450.00

Set of four ceramic houses

Hand sculpted in black clay and earthenware fired. Each piece is individually made. This set is approximately 9 cm high.

£450

Rowena Brown, Set of Four Ceramic Houses (no. 6978) Rowena Brown, Set of Four Ceramic Houses (no. 6978)
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Rowena Brown, Set of Four Ceramic Houses (no. 6978)
£495.00

Set of four ceramic houses

Hand sculpted in black clay and earthenware fired. Each piece is individually made. This set is approximately 9 cm high.

£495

Rowena Brown, Set of Four Ceramic Houses (no. 568) Rowena Brown, Set of Four Ceramic Houses (no. 568)
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Rowena Brown, Set of Four Ceramic Houses (no. 568)
£495.00

Set of four ceramic houses

Hand sculpted in black clay and earthenware fired. Each piece is individually made. This set is approximately 9 cm high.

£495